DORICO MANUAL SOFTWARE

Preparing teaching materials in music notation software Introducing Ambitus, a new font for pitch incipits, scales, and range diagrams MusAnalysis, an advanced font for musical analysis

MusGlyphs updated to 2.1 text version added PDF-MusicBinder and PDF-BatchStitch utilities for music printing Make booklets and 2-ups with PDF-BatchBooklet Quickly scale many PDFs with PDF-BatchScale

DORICO MANUAL PDF

They're called MusFonts, and Dan Kreider created them to fill this niche.įor many users, creating audio is an essential component of music notation software, and we outline ways to complement the built-in process of making MIDI mockups with other software without getting too complicated.įinally, we give a shout-out to our favorite piece of related technology.Įxport PDF to true black in Finale, and a macro for all partsįix printing problems with Sibelius, PDFs, and Acrobat What about when you need to make music notation outside of notation software? For that, there is a whole suite of fonts designed to create music notation within non-music apps. We talk about some of our favorite apps specifically for working with PDFs and the surprising number of ways that you can edit a file using those apps - and may need to do so - without actually having access to the music notation files or the software. We look at the pros and cons of making that material directly in music notation software, and suggest apps for when it's helpful to split the job. But what about front matter - the pages of text and sometimes other markings and symbols that preface the music? For that, better options may exist. When creating scores and parts, music notation software is clearly the choice. Fortunately, we cover both sides of the equation on Scoring Notes - and it's the latter part that Philip Rothman and David MacDonald discuss on this podcast episode. Sometimes music notation software is perfect for the job, but other times, it's the related technology that's better suited to the task. No, we won’t be reciting all 892 pages of the Sibelius reference or 1,605 pages of the Dorico manual, but we will relay some key philosophies so that you have more confidence when you work with the software you use to create music.ĭocumenting the documenter: Lillie HarrisĪn interview with Sibelius expert Robin Walker We revisit our original discussion on the topic, and add a postscript - what we've learned about learning in the intervening years. Along the way, we’ve discovered and refined approaches to learning that we share with each other, and with you, in the course of our discussion. Philip Rothman and David MacDonald remember beginning with zero knowledge about programs like Finale, Sibelius, and Dorico, and eventually progressing to the point where we can actually teach those programs to others trying to learn them. What could be so difficult about that? Well, as we all know, plenty.

You write music on a computer, it shows up on your display, and you print it out. It’s fair to say that the concept of music notation software is easy to understand. Send us your question no later than Wednesday, April 19, 2023, so that we have time to consider it and do the many hours of scholarly research that will no doubt be required, and to formulate a worthy reply in time for our next podcast episode. If you're shy, you can alternatively write your question in an email and send it to us, and we may read it on the show. Just record your question as a voice memo and drop it directly here, or send it as an email attachment or as a file-sharing link to We'd love it if you provide your name (first name only is OK), where in the world you're calling from, and what music notation software you use - or if you don't use it at all (yes, we have quite a few listeners in that camp). So, now's your chance to ask a question about anything in the world of music notation software and related technology - or really, any one of the adjacent subjects we've covered on the Scoring Notes podcast or web site, and we may feature it on our next episode. Seriously, we actually do get a lot of questions and suggestions for the podcast, and many of those have made it onto the show in one way or another.īut for our next episode, we thought we'd open up the phone lines directly, so to speak. Have you ever listened to an episode of the Scoring Notes podcast and wished you could ask a question directly on the show? No?! Never had that desire? But now that I've mentioned the possibility, it sounds like something you'd want to do, right…? Right?